Archive | November, 2009

Doing What I Should Have Done, A Little Later Than I Should Have Done It

28 Nov

I started a new project today: Outlining my book. 

“But Anne,” you say, “isn’t that something you’re supposed to do before you write a book?”

Yes, dear Readers. Many authors do outline their novels before they type so much as a title page, and for lots of people, this is a wonderful method of completing a first draft quickly.

However.

Every time I have attempted to outline a plot, I spend hours and hours working out every little detail and making sure I know exactly who my characters are and what they are going to do… and then, somewhere in the middle of Chapter 2, my boat gets totally rocked. Sometimes, it gets capsized. How, you ask?

Because, as any true writer will tell you, characters are unpredictable entities. You never know what they’re going to do. Take, for example, Natalie Watson. She’s my protagonist in The Clearing, and for most of the book, she’s incredibly mild mannered, nerdy, shy, etc. but then as I was writing her, all of a sudden she let this guy have it. I mean, she lit into him, and it totally came out of nowhere. I was shocked, Natalie was shocked, the guy was shocked… and Natalie has never been the same since.

Did I plan for her to lose her temper like that? Definitely not. Do I like what it’s done to her as a character? Oooooh yeah.

Sometimes, characters I didn’t even know existed will pop into my story completely unbidden, and will throw everything for a loop. I don’t plan them, I never see them coming, but then suddenly, there they are, adding their own unique little twist to the story. And so I have to write them in, and by the end of it I’ve wadded up my carefully thought-out plot outline and started to just wing it.

This can make for some seriously awesome plot development; however, it can also put you right in the middle of the very hole I’ve dug for myself.

Due to my lack of outline, and given the point I’m at in the editing process, I’m having a lot of trouble remembering where I gave a certain piece of information, what color this character’s eyes are, whether or not I remembered to replace a block of text I cut… you get the picture. I can’t remember what I’ve told the reader and what I haven’t. I don’t know if I’ve contradicted anything or if I’ve explained everything correctly.

Thus, the long overdue outline has come back to bite me.

Tonight I went through my first three chapters and made lists, chapter by chapter, of all the important elements that are revealed in that chapter. I’m also noting how and when I describe my characters, because I can see them in my head, but the reader can’t. I’m making notes about things the reader learns about each character – their little quirks, nuggets of information about their pasts, etc.

And you know what I’m wishing?

I’m wishing I would have done this as I wrote. Clearly, the pre-emptive outline doesn’t work for me, but what about outlining as I write? Why didn’t I ever try that?

So I guess what I’m saying here is that if you’re writing a book, try to keep track of all the little pieces of information you give your reader, and keep up with where you say it. Doing this will make your life a lot easier once you start going back for Round 34 of editing and you can’t even look at your manuscript one more time, much less actually read through it to find where you said something.

And to my NaNo peeps: Did you finish??

Ever Been Hoodwinked? I Need You!

24 Nov

Hey there, Readers! I need to ask y’all a favor today. I am still working on The Clearing and have made an impressive (ish) dent in the editing that must be finished by late January, but I am totally stumped on one character. His name is Ethan Gillis (what up, Amy GB!) and he has a very charming and debonnaire (sp?) exterior… the kind that makes high school girls go all googly… kinda like the effect this guy has on them. In fact, if you imagine this guy as a blonde, that’s Ethan.

Mmm-hmmm. And before you ask, yes, he is a cast member on Gossip Girl.
So anyway. Here’s the thing: Ethan is being real nice and funny and charming to my protagonist, Natalie. He wasn’t nice to her at first – in fact, he was pretty horrible – but a certain tragedy occurred in his life, and in a weird sort of way, it’s made him see Natalie in a whole new way. In fact, he’s even claiming to like like her. And Natalie, as an insecure, not-so-gorgeous book nerd, is just about beside herself with joy at the way the tables have turned. (Or, if you’re Michael Scott, “how the turn tables.”)
What I need to happen is for the reader to be a little suspicious of Ethan. I need him to act in a way that makes you feel unsettled, as if maybe he’s not the guy he seems to be, but you can’t put your finger on exactly why you feel that way about him. I need the reader to want to grab Natalie by the shoulders and tell her that she needs to watch out, because this guy seems like he might be bad news.
So my question is: Have you ever dated a guy that, on the surface, was everything you could have hoped for? Handsome, popular, maybe an athlete of some kind… but the more you got to know him, the more you wondered what, exactly, he was all about… and then one day you realized that he was a Sleazeball (yes, with a capital S) and you looked back at all the red flags and wanted to slap yourself in the face for not seeing it earlier?
Please, do tell. And if you don’t feel comfortable leaving a comment on this post, feel free to email me.
Thanks in advance for the help!

Public Service Announcement

21 Nov

That’s right… it’s a Twilight parody.

Don’t get me wrong, I love Twilight. But I really, really want to read this book.

Have any of y’all heard of it?